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Your Digital Daily for Wednesday, September 28, 2011

Alois Nebel: between reality and fiction

in Features by EB Team

Alois Nebel: between reality and fiction It´s the end of the eighties. Alois Nebel works as a train dispatcher in the small town in the vicinity of the Polish border, a job he has done for many years. The normalcy of his everyday life is brought to a halt after an encounter with the deserter Voloda. After this fateful meeting, Nebel is haunted by hallucinations. The present merges with the complex and dark Central European past and Nebel starts to loose himself in the newly-instated opaque dualistic reality.

An exhibition documenting the shooting of this iconic Czech movie, an adaptation of the self-titled graphic novel written by one of the most successful Czech writers of the new generation Jaroslav Rudiš together with musician and artist Jaromír 99, whose opulent black and white illustrations only accentuate the mystique, starts on Thursday 29 September 2011 in Prague´s Langhans Gallery.

According to the authors of the pictures, film photography in this case was deemed futile since the parts played by real actors were recreated by animators anyway (a technique called rotoscoping). Similarly to the film itself, the photos hover between the real and imagined, a snapshot of inter-reality that´s dreamy and enigmatic.

From The Vaults: interview with Jigoku

The affinity for the weird, obscure and bizarre has gained momentum in the last few years reinforced by the likes of tumblr as catalysts of visual ‘debris’. The hunt for the abstruse and low-brow is no passing pop culture fad for audiovisual bricoleurs Jigoku though. Driven by the need to unearth and manipulate random VHS – more

Elfriede Jelinek transformed

You could call Elfriede Jelinek the voice of the liberal Austria. In her works, which cover a great variety of different art forms, she often criticizes the political establishment and the author is well known for her feminist stance. And as you probably know, she won the Nobel Prize for literature in 2004 and didn’t – more

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