Fuck Buttons - Thunderous Squalls
Fuck Buttons is not the kind of name you forget in a hurry. Neither, for that matter, is their music. Comprised of ar...
Crate digging the future
For music lovers across the world, the Internet has become an almost indispensible godsend. Whatever your background...
Jimmy Edgar - Motor City Houdini
Jimmy Edgar is a bit of a musical Houdini. Prone to doing the odd disappearing act, the one-time wunderkid’s career i...
Love is in the Air
Air are touting their new album as a ‘rebirth’. Paul Sullivan chats to Nicolas Godin about their brand new studio, gr...
Best of the Noughties - Sounds noughty
The noughties have been a tempestuous and adventurous decade for music. In the last ten years we’ve seen pop get crea...
Night Music - An interview with Etienne Jaumet
Etienne Jaumet is probably most familiar as one half of French electro pairing Zombie Zombie. However, a penchant for...
Pantha du Prince - Black Noise
Continuing to try and redefine the borders between the natural and the artificial, the dark and the light, Pantha du...
Thomas Hammann & Gerd Janson - Live at Robert Johnson Vol. 4
Modeselektor’s massive Body Language Vol. 8, the dark and deep Panorama Bar 02 by Tama Sumo or Dixon’s visionary Tem...
Psychonauts - Songs for Creatures
Originally released in 2003, Songs for Creatures was the debut album from Paul Mogg and Pablo Clements under their P...
Maps - Turning the Mind
Northampton’s James Chapman – aka Maps – might not exactly be a blockbuster selling musician, but his work is very h...
J Dilla - Dillanthology 3
Dare I admit: though I knew much of J Dilla’s influence, I wasn’t overly familiar with his productions? I guess I ju...
Daniel Metro - Working Class
Shitkatapult are one of a handful of Berlin-based labels that aren’t absolutely awful, and in the last decade or so...


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