NITZER EBB - Body Rework Remixes
Nitzer Ebb are well-known for marking the beginning of EBM (electronic body music) in the early 80’s. They split up in 1995 but have recently reunited and now a one-off special tour this year is certain. Enough reason for a ‘Best Of’ album and this remix sessions album with contributing artists...
K. LEIMER - Statistical Truth
Statistical Truth appears to consist mainly of one soundscape that flows like a gentle stream and only varies in depth and density. Within it Kerry Leimer animates organic sounds that seem to have their own life. In the beginning and just before the end sudden staccato percussive elements surpr...
PERSPECTS - Peopleskills
In Peopleskills Ian Clark uses human voices, tapes, electro-acoustic percussion and analogue sequences. He creates a hectic and propulsive, densely electro sound and demonstrates that specific affinity of many Detroit-based artists to the early experiments with analogue electronic instruments o...
SNAX - Love Pollution
This is Snax’ second Longplayer as a solo artist. Listening to Love Pollution gave me instinctively the impression: Prince is omnipresent. With “Lemmetellyouastory” a true tale begins about love and suffering from it. But also about disillusion, like in a “Raw Deal” – a dark electro track featu...
RUI DA SILVA - Praying Mantis
Rui da Silva is worth listening to. Leaving the tribal house behind, he dwells on minimal techno, loosing himself in recurrent elements that create a propulsive drive, going into reduced spheres, without getting boring. There is some kind of an addiction to experimentation with oscillating glit...
Jazzanova - …broad casting
This compilation is celebrating both 10 years of Jazzanova and 5 years of their radio show. As they are also the ones that do the Sonar Kollektiv Label, they have put their roster of artists all on one CD. The compilation spans a wide range of styles from electro (check Studio R feat. Mocky) to...
Sasse - MADE WITHIN THE UPPER STAIRS OF HEAVEN
Yes, Sasse shows his musical roots starting from disco and italo, to a bit Chicago or maybe Detroit. And yes, he knows how to arrange and so on. But there is too much of that italo disco sound, without really bringing in something fresh. Too much of that Moroder touch, too little the suspense,...


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