Recent Articles about Prurient
The Emperor’s Vintage Clothes: how Goth and EBM recycled themselves
Like a rather bedraggled and dusty phoenix, goth has rebirthed itself in a way that echoes its 30+ year history as well as explores new ground. – more
Let’s Hear It For The Noise: Daniel Jones recommends Prurient’s Through The Window
Dominick Fernow explores more and more the sinister reaches of techno, while never losing his hypnotic power: “All the elements that existed in his earlier work—aggression, the steady howl of drone, a feeling of some monstrous work being done just beyond your perception—exist here. They’ve just been reformatted, re-imagined.” – more
Hate Techno? Daniel Jones recommends Hospital Productions
If techno is something that you view in a rather dim light, perhaps the key isn’t to illuminate, but to darken further. – more
A.J. Samuels recommends Vatican Shadow’s September Cell
September Cell, Vatican Shadow’s recent 12” techdustrial juggernaut sounds like nothing if not electronic intrigue; the unfinished soundtrack of The Da Vinci Code meets Arab Spring, The Movie, NOT starring Tom Hanks and directed by Oliver Stone. Of course, these are associations based on the often-misguiding compasses of band name, album cover and song title, – more
Prurient to release double 7-inch with art from Genesis P-Orridge
Some collaborations are made in heaven, but when Prurient and Genesis P-Orridge get together, it’s a match made in hell. The man who put out the best industrial record of 2011 has collaborated on a new release with the man who essentially invented the genre. Wrapped In The Flame Of Illusion, Masked In The Clay – more
2011 in Darkness
I’m so sick of hearing and reading the word ‘dark’. I truly wish we’d come up with something new to describe this sort of music without using equally annoying words like grave, witch or (a sure sign of CRAP AHOY!) the dreaded nu. ‘Goth-without-goth’ is too clumsy; ‘advanced goth’ maybe, but that’s a label with – more
Cold Cave finds love with Matador
Wesley Eisold, also known as Cold Cave, is soon to re-release his 2009 debut Love Comes Close on Matador. The album was originally released on Eisold’s own label, Heartworm, to much critical acclaim: the gothic popster drew loving comparisons to everyone from Depeche Mode and Section 25 to the Durutti Column. The elusive Philadelphian came – more