After a string of madly hyped first tracks and their critically acclaimed debut LP 7AM in 2010, Brooklyn-based duo Teengirl Fantasy return with their sophomore full-length Tracer, out August 20 on seminal Belgian/UK label R&S Records. For the new effort, Oberlin College alumni Logan Takahashi and Nick Weiss abandoned the sampling that defined 7AM, in – more
So, this is supposed to be d’Eon’s debut full-length? Palinopsia, the release with which the Montréal artist first surfaced roughly two years ago, featured nine tracks that had a lavish total running time of no less than 55 minutes. An EP? If so, an extended play indeed. And yet the joke’s on us. d’Eon’s new – more
I can’t be sure if I’m entitled to speak here for anyone else but myself, yet what is it that we’re really looking for when we listen to a record for the first time? We want to be surprised, I’d argue. We hope that what we’re gonna spend the next minutes of our precious lifetime – more
Pretty eclectic selection this month I guess, but 2012 has finally kicked off properly and there’s a bunch of great stuff out there right now that you wouldn’t wanna miss, promise. Let’s start with Land Lines, the new LP by Starving Weirdos that virtually came out of nothing a couple of weeks ago. Starving is – more
2012 is still fairly young and strictly speaking, musically there hasn’t that much going on till now, the year is kicking off rather slowly this time. However, the coming months will bring a lot of exciting stuff and there already is enough mouth-watering material to sift through. First of all, allow me to make a – more
Everybody keeps talking about Maria Minerva these days, and of course there’s a reason for that. 2011 has clearly been her year, especially after her latest 12” Sacred & Profane Love, which is out now on Amanda Brown’s 100% SILK. It’s arguably her best work to date, though for me her music remains “beyond beats”, – more
This past month, more or less everyone kept talking about Daniel Lopatin and his forthcoming Oneohtrix Point Never LP Replica on Mexican Summer’s sub-label Software, which is run by himself and Joel Ford. However, I’d rather point to Airbird here, which is the solo project of Ford, who of course is not only the second – more
When starting to think about this new column about music that usually doesn’t have a place on Electronic Beats – however you might delineate that – I figured it might be best to start with a band whose chamber pop gorgeousness has haunted the blogosphere for a good while now: Long Island, New York’s amiable – more
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