An Insider’s Guide to the Best Sets at Melt! Festival

Melt! Festival in Germany is a solid bet. Held on a former mining site where 20th-century machinery looms over stages, its bookings run the gamut from underground techno DJs to pop stars, presented on reliably monstrous soundsystems. Ahead of this year’s event, which takes place between July 16 and 19, we enlisted Melt!’s very busy head of booking, Stefan Lehmkuhl, to share some of his personal highlights across all its stages.

Thursday, July 16: Santigold, Hercules & Love Affair and the Trevor Horn Band

We’re all looking forward to Santigold and Hercules & Love Affair on opening night, but I feel I should point out the Trevor Horn Band as I fear some people don’t even know who the fuck that is. He wrote “Video Killed the Radio Star,” “Relax” from Frankie Goes to Hollywood and “Slave to the Rhythm,” just to name a few major hits, and of course he’ll play all those. Be ready for ‘80s vibes and guilty pleasures!

Friday, July 17: Modeselektor, Jamie xx, London Grammar and Nils Frahm

Going through Friday’s line-up involves too many decisions. If I were a visitor, you’d find me here: From 17:00 to 21:45 I’d have my feet in the lake by our beach, listening to full sets from Modeselektor, with a small interruption for South African house vibes from Culoe de Song on the Big Wheel stage. Then I’d catch Jamie xx at sunset before running over to Years & Years at 21:45 on the Gemini stage. Calm down with London Grammar on the Mainstage at 23:30, stay for Nils Frahm and finish off with a Bonobo DJ set back at the beach.

Saturday, July 18: The Black Madonna, Lena Willikens, David August and Kylie Minogue

Saturday is full of legends. I’d start my day around 14:00 at the Sleepless floor with The Black Madonna and Lena Willikens. Then I’d head to see David August live and XXXY at Big Wheel from 19:00 to 22:00. Unfortunately that would mean missing Cakes da Killa, but he’s playing in Berlin in two weeks time. Of course, I’d catch the legendary Giorgio Moroder and Kylie Minogue on the Mainstage around midnight. Damn, it clashes with Siriusmodeselektor—I almost hate myself for programming this. Sven Väth is a good choice for the sun coming up toward the end of his set. He’s never played Melt! before so I cant miss his debut.

Sunday, July 19: Ibeyi and Ellen Allien

Sundays always include some sure shots for my personal top Melt! moments, like the annual matinee slot at 4 p.m. when all stages (except the Sleepless floor) focus on rather quiet bands. After catching Jose Gonzalez and Rhye in past years, I’m looking forward to seeing Ibeyi follow Kings of Convenience this year. The other important moment for me is Ellen Allien’s annual closing set. We’ve done this for the last ten years, and this year she’ll play a four-hour set.

Selfishly, I like really getting involved with Sleepless floor after the headliners have played and nothing really can go wrong anymore. You’ll find me somewhere there until Ellen hands the reigns over to Steve Rachmad at 6 a.m. I’d also recommend that everyone check out Damian Lazarus & the Ancient Moons for sunset around 21:30. I saw his first live set in Ibiza this year, and it was fantastic.

Header image: Robert Winter

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Melt! Festival highlights

Melt! Festival highlights We had a pretty intense time at this year’s Melt! Festival. This was thanks partly to our extracurricular activities (which we’ll get to in a moment) but largely thanks to a fantastic lineup: surrounded by favorites like AlunaGeorge, Todd Terje, Chairlift, Zola Jesus and Squarepusher, we just felt overwhelmed by the amount of things to see and hear.

It helped that we were able to keep from melt!ing thanks to our time in the EB-hosted ice cream van from Giovanni’s Eisdiele, which provided free ice cream, waffles and of course free copies of Slices DVD Magazine and Electronic Beats Magazine.

Then we had brunch. On a freakin’ gondola. You don’t really get to do stuff like this a lot, unless you live on a gondola or possibly in Italy, in which case the experience is probably a bit less interesting. Probably one of the most unique experience we’ve ever had, and a surprisingly good cure for the hangovers most of us were packing. The prosecco and fresh fruits certainly didn’t hurt either.

We got a lot of smiles during the festival (maybe it’s because we’re so handsome and cool and buff….or maybe it was the free ice cream) but what really made our day was when rising British five-piece Citizens! professed their love for us … the feeling is mutual, kids!

Things got a bit heated during the Modeselektor-encouraged 3am pillow fight:

We haven’t been to a pajama-jammie-jam like that in … well, ever! War would be a lot more fun (and productive!) if it was fought with pillows. Plus you have the added benefit of having something to nap on afterwards, and believe us: we needed it.

So there you have it, or rather here you have it. Another fascinating and diverse year at one of our favorite festivals, and since tickets are already on sale for 2013 we expect even more excitement next year (barring any apocalyptic events).

Were you there too? You can find more Electronic Beats/Melt! related tweets and hipstagrams online, we’d love to hear your stories in our comments section — and we’re looking forward to kicking your ass (again) during next year’s pillow fight.

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Modeselektor’s Szary: ‘Concrete is my kind of fetish’

Modeselektor's Szary: 'Concrete is my kind of fetish' Modeselektor‘s Sebastian Szary had a busy day at the studio when I caught up with him for this interview. Besides the release of their new ‘Modeselektion Vol. 2’ compilation on their label Monkeytown records, the Modeselektor was right in the middle of preparing a new live set for A.T.O.L. — the joint project of Modeselektor, Marcel Dettmann, and Shed. During a moment of silence, we spoke about Szary’s teen days, the evolution of Modeselektor into a business, and the interconnectivity of music and people.

 

When I was prepping for this interview I came across our Slices Modeselektor video feature from seven years ago. Back then your mother said that you could have been a great craftsman. Do you reflect on your musical career in terms of craftsmanship?
Sebastian Szary: My mother’s right — she’s almost always right! But she wasn’t right that one time. Shortly after the Wall came down I made some money in precast concrete construction. When you’re from the mining-town of Rüdersdorf near Berlin, you know why someone would do this kind of job. Pretty much everyone from Rüdersdorf is somehow connected to that kind of industry. I didn’t even get a high school diploma, since reunification and the ailing East German economy had a very big influence on me. I also didn’t give a shit about school. But since everybody needs to do something in life, I did this apprenticeship as a bricklayer. This whipped me into shape for life in general. I think everybody should experience this kind of ‘school of real life’ for at least three years.

 

You mean in order to get to the next chapter in life? To know how to accomplish something?
Well, in order to experience a ‘real project’ in the first place I guess, as well as to have the experience of working together with others on a single task. Who knows — maybe you’ll become an alcoholic or be bullied in the process, but you start doing your own stuff as well. I bought myself tons of musical equipment that I couldn’t really talk about with my colleagues — it’s not really an interesting topic for the average construction worker. After work I went home and did music, or spent the rest of my money on vinyl. Meanwhile my mother was always saying “Those records are so expensive and your apprenticeship pay is so low” — I earned 360 deutschmarks a month in my first year of training. I was living with my mother, and I’d spent around 200 marks on records alone. When she saw me returning with all those records from Hard Wax, I was always like “Well, I need them for DJing!” It’s a classic parent-child-conflict — everybody experienced this I guess. After enough good gigs, the money invested starts coming back to you. That’s what it’s all about.

Did you have a vision where your musical career might lead when you started DJing with Gernot [Bronsert] in 1995?
I think so. Gernot certainly did. He’s three years younger than I am, and back then he always had this juvenile touch. He kick-started the whole thing, I’d say, and I brought in the technical know-how. From my apprenticeship days I learned that when you work on something, be it a house or a song, the first thing you need is a foundation. When you’re dealing with concrete you have to keep stirring, otherwise it’ll dry up and you’ll need to throw it away. My life is based on that, I think. To be honest, I love concrete, the smell and texture of it. It’s a kind of fetish.

Besides Modeselektor, Moderat and A.T.O.L., you’re pushing the enterprise further with your labels Monkeytown and 50 Weapons …
You’re right, we’re carrying a much bigger responsibility these days, and we’re realizing how short time is. All those meetings, studio hours, and rehearsals … they take up a lot of time. A while ago we started building a team around us to take over some of our tasks and to-dos, but there’s still loads of stuff that we need to take care of ourselves. On the other hand we just want to make music, so we’re constantly asking ourselves: is this really what we want to do? Looking back on the days when we left BPitch Control and started our own label, it was absolutely the right decision — maybe the only one we could have made. But on days like today with studio time, meetings and press interviews, we’re on our last legs. [phone starts beeping] Lo and behold, there’s a new text message. It’s the next interviewer!

From a strategic point of view, how do you look for artists you’d like to sign? Just how much can/do you want to do as music entrepreneurs?
On the one hand there’s our vision, on the other our lives. The current combination means that we’re at the end of our tethers. Besides our company, there’s also family. Gernot will become a father for the second time soon. I’d say that we’re doing some things in life differently from one another, but we’re working 365 days a year. That’s 52 weekends full of shows, sometimes two or three shows a weekend. But in the end it’s all about the adrenaline kick of getting little tasks done. It’s tough! [beeping again] Fuck, another text message …

You’ve just released your second Modeselektion compilation – which is, on the whole, a darker and tougher listening experience than the 2010 edition. Is this a reflection of your own change in taste, or influenced by more general things … a Zeitgeist change in contemporary club music?
When we started compiling the record and asking people about their tracks, we simply dragged them into a chronological playlist as they came in. We soon realized that they blended together really well. The track list ‘as is’ is a fragment of the very start of the playlist, with each successive track building up to something, having a great flow, etc. Listening to the tracks we were sent, we couldn’t help wondering what was wrong. People’s music is getting darker and darker — something changed in comparison to two years ago. Of course, things changed for us, too. Our new track ‘Maik the Chicken’ was recorded in a session during one day. That might sound a bit careless, but that’s just how we wanted it to go down.

The compilation comes with a lot of more well-known artists like Clark, Monolake, Prefuse 73 and Mouse On Mars, but also more left-field choices like Soft Circle, Diamond Version, Frikstailers, and Dark Sky. Soft Circle especially are more an underground connection — how did you guys meet?
We got to know each other over the years. Modeselektion is a kind of portrait of our travels, too. Like a scrapbook. We met Hisham Bharoocha when we were staying in New York City. He’s a lovely person, a great photographer and a very interesting musician. I think he was in Animal Collective, but he also played in Lightning Bolt and Black Dice … all music that I listened to back in the day.

I like the idea of listening to music in contexts where you don’t expect it, not just within their respective musical ghettos … when you remove genres from their normal situations.

Another thing that caught my attention on the compilation is Diamond Version, Alva Noto and Byetone’s new project, which Mute Records is releasing soon. Modeselektion somehow seems to serve as a kind of launching pad.
We intensely discussed releasing their album ourselves, but eventually it was too late. But of course, we support each other. We met up with Olaf [Bender] and Carsten [Nicolai] regularly when we were on the road with Moderat, but we also live close to each other here in Germany as well. They’re a great live act … they remind us of ourselves. Also, it was also very important to us to rep German acts on the record.

With the new edition of Melt! Festival you’ll once again be hosting the ‘Melt! Selektor’ stage. On your recent Modeselektor tour, you had a bunch of artists joining you at the live shows. I was wondering when this will become, say, its own format – where you as Modeselektor don’t even need to be present anymore.
The routine at a festival goes something like this: travel there, rush to the hotel, have a shower, get to festival, jump on the stage, perform, leave. What do you remember from the whole experience? Nothing. When we’re touring with Modeselektor or Modeselektion, we want to have friends and a comfortable flow every night. That’s something that we always wanted to have. When nobody knows each other at an event, everybody feels uncomfortable with the situation. We like the idea of curating. That’s very important to us.

 

‘Modeselektion Vol. 2’ by Modeselektor has just been released on Monkeytown Records. Watch them play live at one of these dates, and watch out for their live show at our Electronic Beats Festivals in fall 2012.

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Photo: © Kevin Lake / Image editing: Electronic Beats

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Free VIP tickets will MELT! your heart

Free VIP tickets will MELT! your heart Experienced festival goers know all about it: Melt! festival, the annual gathering of open air music fans from all over the world at Gräfenhainichen’s ‘city of steel’ Ferropolis. Not only does this three-day-festival (July 13-15, 2012) have a one-of-a-kind location next to abandoned bucket-wheel excavators, stackers, and bucket chain excavators, but it also has a very diverse and highly interesting line-up; ranging from underground electronica via indie rock to pop music. See for yourself:

We weren’t much surprised when we had a look at the 2012 edition’s full line-up, which pretty much covers a big number of bands that we’ve been covering or presenting at our very own festivals throughout the last months and years. And since everyone loves lists, here’s an annotated list of acts and artists that are billed for the 15th edition of Melt! festival from our very own archive:

The Whitest Boy Alive, Kele (Bloc Party), Citizens!, Dillon, Douglas Greed, Elektro Guzzi, Dixon, Ellen Alien, Gossip, Brandt Brauer Frick, Laurent Garnier / L.B.S., Modeselektor / Modeselektion, Squarepusher, Nina Kraviz, Mouse On Mars, Motor City Drum Ensemble, Richie Hawtin, Zola Jesus, Shed, Strip Steve, Agoria, Brodinski, … let’s stop here.

Since this year’s festival is already sold out, we’re happy to be giving away 3×2 VIP Melt! festival tickets (valid for all three days). These will not only grant access to the festival itself, but also to the super-duper-exclusive backstage area — where you can get down at our Electronic Beats ice cream truck. Simply fill in the form at the bottom of this page, keep your fingers crossed, and maybe ask your friends to join the competition in order to snag yourself a ticket in return for the tip-off. Competition closes on Tuesday, June 26, 2012. Good luck & godspeed! And now for something seamlessly related:

– – – Competition is closed, winners have been notified – – –


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Modeselektor announce Melt!Selektion, Apparat announces new Moderat

Modeselektor announce Melt!Selektion, Apparat announces new Moderat Busy days for Modeselektor: besides being on tour with their Monkeytown album and preparing the release of their second Modeselektion compilation, they’ve just been honoured with the critic’s award during Echo 2012. And now there’s even more news regarding their summer plans, since Modeselektor just announced the billing for their upcoming Melt!Selektor stage at this year’s Melt! festival in a fun short press conference video. For the third time around, Szary and Gernot will be curating the sea lake stage’s line-up, and for 2012 they just confirmed sets by:

Schlachthof Bronx, Lazer Sword, Brandt Brauer Frick, Mouse On Mars, Floating Points, Hudson Mohawke, AraabMuzik, Gaslamp Killer, Rustie, Shed as well as the Modeselektors themselves. Watch the announcement video below for mor insight into their booking process, more information + tickets here.

On a different note: we’re already very excited about the end of the year, since everything seems to be set for a new Moderat album. In our recent ‘Electronic Beats presents Apparat at SXSW‘ video documentary feature, Sascha Ring announced that Modeselekor and Apparat plan on working on a sophomore album to the self-titled Moderat record from 2009:

We will definetly do a new Moderat album. And we already knew it when we finished the first one. Now we decided to work on it in autumn, to take some time and try to do the same thing again – which might sound completely different, who knows …” Watch the whole interview below.

And on another different note: Schlachthofbronx are celebrating the release of their new album Dirty Dancing at Horst Kreuzberg Berlin tonight, make sure to stop by for party mayhem by Schlachthofbronx, Daniel Haaksman, and Finckobot, rsvp here.

 

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