Gothenburg: a startlingly placid city situated at the most Westerly point of Sweden’s priapic-shaped landmass, it redefines the concept of ‘genteel’ along the clean sweep of Scandinavian lines. No wonder that Way Out West – it’s annual three-day music festival in thrall to the hip – emphatically fosters a sense of repose, buttressing you against life with its vegetarian food stalls, heavily taxed beer and preternaturally high cheek-boned festival goers. Providing the grit in the picturesque vaseline was Harlem’s best-dressed son A$AP Rocky, who foisted a raucous mid-afternoon set upon the sober, sun-struck crowd. Having built up a fervent following since his LiveLoveA$AP full-length dropped ten months ago, purple-hued, sleeping-limbed numbers like ‘Peso’, ‘Wassup’ and the Schoolboy Q cut ‘Hands On the Wheel’ proved the perfect anti-tonic.
With his followup album LongLiveA$AP due in September, we went to meet the self-described pretty muthafucker backstage to quiz him on his European tour and go halves on headphones while he lay in a hammock, wrapped in blankets. Well, I did say Gothenburg was, um, relaxing.
How’s the European tour going?
Wonderful! Europe really supports me. In Sweden, I knew it was going to be good, but I didn’t know what to expect. I didn’t know if they’d know me so I went into show wanting to show them who ASAP was. Last month I was in Berlin, at a fashion thing – Bread & Butter – and that was fun, but speaking German is hard, man. Berlin has some really sexy girls. Yeah, I like Berlin, they have a fine style. London has a fine style too, it’s my favorite place. I like the architecture and the energy and they support the shit out of me. I’m going to move there – and I understand English. It’s a European country that speaks English.
Do you have any tour stories to divulge?
Yeah, I’ve never known so many women! I like that problem though, it’s a nice problem to have.
You’ve started to play a new track out, ‘Thuggin’ Noise’, which is a bit different to your older stuff …
Yeah, it’s wild, there’s a whole bunch of gunshots and that’s why it’s called ‘Thuggin’ Noise’ [begins to rap] “I be thuggin with my team, ho”.
What’s happening with the album, do you have a release date yet?
It got leaked so now I’m pushing it back. I want to record new tracks and release it on Halloween – my last album came out on Halloween, and I that’s when I want this one to drop too. It’s gonna kill’em, it’s gonna kill them. Nobody’s going to be able to keep up, it’s crazy; nobody is making the music that I’m making, nobody. No matter how hard they try and they do try to sound like me but this is some new shit. That’s why I’ve pushed it back, because I’m updating my sound. I can’t wait for you to hear it.
I’m really envious of the Air Jordans that you wore onstage. Is fashion as big a deal to you as people make out?
I only like this kind of Air Jordan, man, these are number 4‘s. Yeah, I just get dressed and they call it fashion. It’s because I have a good fashion sense and know all the brands, but I’m from the ghetto and we get a big thrill out of it. I have a better fashion sense than most journalists from Vogue magazine, but I think they like it – they like me. Hey, you know I produce now?
Really? Have you produced songs for your record?
Yeah. I produced four songs on the album. It’s not that easy. [Rocky proffers his purple Beats by Dre headphones and gives us a preview of one of his self-produced instrumentals; it’s slightly brasher and more baroque sounding than anything on LiveLoveA$AP, although the Clams Casino influence is clearly readable.] It’s cool, right?
Yeah. Are you nervous about how your new album is going to be received? LiveLoveA$AP was such a big deal.
No because I know that they’ll going to love it. It’s better than LiveLoveA$AP, the production, everything. it’s way better, way more mature. It’s just so good … it is, I’m telling you, it’s really, really, really, really, really, really good. They have to love it.
Photo: Annika Berglund
Check out this wistful video for ‘Before I Move Off’ by Mount Kimbie. Featuring images of the duo on tour across the world, the video uses single images to give the impression of a stop motion animation film as a whole year of airports, planes, cities, clubs, drinks and girls flash by over the song’s four minutes.
The video is directed by Tyrone Lebon who also shot the artwork for the bands debut album Crooks & Lovers. The London based photographer & film maker has also shot Nick Cave, campaigns for Nike and Stüssy and directed the feature length documentary Mengejar Ombak about a young Indonesian surfer. You can find more information on Lebon here.
Watch the video below.