Rather than operate as a music news source, Electronic Beats operates as a music information source. We want to share with you; we want you to know what we’re hearing, what’s reverberating our cochleas and sending broader vibrations throughout our bodies, and by extension our audio-addled souls. Down with that? Welcome to Editors’ Choice.
Lisa Blanning (Online Editor)
Ben Aqua – “Ass Kicked Later”
The Austin-based producer—you might have heard his track with Zebra Katz “Red River”—comes correct with a fresh-sounding club roller using a Missy Elliot vocal sample as a hook.
Louise Brailey (Deputy Online Editor)
M.I.A. – “Bring the Noize”
Look, I’m as confounded by this as you are. After the iconoclastic mega-pop of “XXXO” and “Bad Girls” nobody really felt like a summer holiday back to 2006. The bone-clattering staccato production and dodgy sloganeering is all well and good, and Switch’s pawprints are all over this thing, but I have a feeling it’s a red herring. Intriguing.
Moritz Gayard (Online Duty Editor)
Vessel – “Court Of Lions” (Prurient Remix)
Extraordinary rework of Vessel’s “Court Of Lions” by Dominick Fernow, better known as Vatican Shadow and Prurient. Roll it, press play, light it up. Relax.
Ashrae Fax – “Pointbreak”
Up for some goth/ethereal/synth pop stuff? Then try Ashrae Fax’s 2003 album Static Crash. You can pre-order the re-release, courtesy of Mexican Summer, here.
Daniel Jones (Contributing Editor)
Kanye West – New Slaves (Brenmar Club Edit)
Brenmar posted this slick, sick remix of Kanye’s politicized anti-consumerist rant (this is the guy whose clothing line sells $300 t-shirts, remember) over the weekend and turned a growling beast into a purring kitten of a track. “For my DJs”, his Facebook page proclaimed, and this DJ couldn’t be happier.
V▲LH▲LL – LIKΣ ▲ NIGHT IN THΣ F0RΣS7 [✞JOhN D3nVΞR✞ C0V3R]
In my wildest dreams of pimping out the idea of witch house around 2009, I never imagined John Denver covers. Is this even witch anymore? What is anything, who knows. Just so long as we can finally move past the ‘post-genre’ term, which is the least sexiest description for music ever. That said, I kind of dig this. My mom does too.
Read previous editions of Editor’s Choice here.