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EB Picks: A roundup of our September favourites

Squeezing out every last bit of summer.

It’s official, summer is over. While we wave goodbye to what almost felt like a normal summer that wasn’t one, September was jam-packed with events, releases, and content squeezed in to enjoy those very last warm evenings. This month’s picks include a new season of Juba’s stellar Assurance podcast, new releases by Planetary Assault Systems, Galya Bisengalieva, KETA CAVIAR, and so much more. Dive in below.

Juba’s Assurance podcast launched its second season this month. Last year, the Berlin-based DJ, Boko! Boko! affiliate and Cashmere radio host released a documentary of the same name that explored the experiences of female DJs in Lagos, Nigeria. Since then, the project has expanded to a podcast series, and broadened its scope to women and non binary DJs across the Global South, shedding light on pressing socio-political issues in their regions and the impact of this on their careers and lives. Check out the second season featuring conversations with Julianna, Gina Jeanz, Coco Em, Lyla, and more to come.

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Aralkum Aralas by Galya Bisengalieva 

Kazakh artist Galya Bisengalieva’s debut album Aralkum, named after the shrinking of the Aral Sea, receives a new twist by collaborators across the globe from the US to Seoul to her native Kazakhstan, with Moor Mother, Jlin, CHAINES, Coby Sey, Jing and Nazira contributing remixes. In her approach to choosing collaborators for the remix album, she was interested in getting responses from artists from such diverse backgrounds as Taiwanese, British, American and Kazakh for their insight into her voice.

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Sky Scraping by Planetary Assault Systems

Following up his Say it Loud EP from earlier this year, iconic British producer Luke Slater will release his seventh album under his Planetary Assault Systems alias on Oct 15th 

Marking his first LP since Ostgut Ton’s 2016 release, Sky Scraping debuts a wealth of new material. The record is a loud and unabashed celebration of the formative and familiar environments so loved by the electronic music community, as well as the dark club and festivals made special by their unique ability to bring like-minded people together.  Pre-order the record here.

Æ by Domingæ

Æ is the debut solo A/V album from Chilean musician and filmmaker Domingæ. 

With foundations etched at an artist residency in Japan, the record was later completed in Mexico City, where the artist currently resides. Living in one of the most dangerous cities in the world to be transgender, the record could be considered a call for help to escape the hardships of her motherland Chile and adoptive Mexico City, to “truly thrive and continue her transition safely in New York City.”  

Experimenting with sonic formats and shifting elements, alongside the unlearning of previously established creatives processes, the result is a sound minimal, yet rich in dark electronic textures and hypnotic grooves. Æ is out now on Sacred Bones Records.  

Æ can be also Domingæ’s call for help to escape the hardships of motherland Chile and adoptive Mexico City, to “truly thrive and continue her transition safely in New York City.”

Support Domingæ through contributing to her transition and survival fund on GoFundMe.

Becoming Plant 

Becoming Plant is an art film initiated by artist Grace Ndiritu. It follows dancers who participate in a therapeutic psychedelic experiment and subsequently perform a choreography, aligning their bodies with each other and the derelict military architecture of the ASIAT site 

In the voice-over, a psychiatrist reflects on the therapeutic and sociologic qualities of psychedelics. With a soundtrack commissioned by techno legend Jeff Mills. 

Timeless Class-X Vol.1 by KETA CAVIAR

Resonance Moscow present the debut EP of KETA CAVIAR. The four-track selection exhibits a high octane, playful and energetic offering with all tracks recorded straight out of CAVIAR’s modular synthesizer, ‘reaching brevity through simplicity. 50% joke and 100% true, Timeless Class-X Vol.1 is meant for dancing and crying.’ 

USB Magazine

Launched in Augsut 2021, USB (Under Society’s Bum) is a free community-contributed print magazine, and event series focused on supporting Berlin’s local music scene.

Run by Tennis bar’s Ryan Rosell, writer Maya-Róisín Slater, and with art direction by Molly Dyson, the expertly curated event series showcases artists at varying stages of their careers from different micro-scenes in Berlin’s pop music landscape. At a USB party, you wouldn’t be surprised to hear dance music, synth-pop, rap, and ambient sounds jumbled together in perfect harmony. Previous bookings have included Mor Elian, Marshall Vincent, Nas Tea, and Eddington Again, to name only a few. The zine is dedicated to documenting the scene through interviews, illustrations, quizzes and lots of good humour.  You can grab a copy of Issue 1, The Care Issue, at Tennis bar in Neukölln.

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Badman Forward: Dubstep’s History and Legacy

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E-MERGING: MOTHER.loading doesn’t want to recreate, but create the moment

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On Vatican Shadow and the Far-Right

Tributes to Lee “Scratch” Perry, “Salvador Dalí of music”

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Year in Review: Trekking Through the Uncanny Valley of DJ Live Streams

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Unity in the community: the best online radios of 2021

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Christopher Bauder Talks Us Through the Rave Experiences That Influenced the New ‘DARK MATTER’ Exhibition

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The Journey: Folamour talks pandemic, social media and bucket hats

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Exploring 20 Culture-Defining Moments of the Last Two Decades

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I$A B2Beats AGYENA: On the Pulse

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E-MERGING: Otherworldly cakes meets chaos glam nails

Year in Review: The Rave Anthems That Defined the Women’s Strike in Poland

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10 records to tale La Ruta, the Spanish highway that rivalled Ibiza’s club scene

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Slivers of the Future

Art at the intersection: An interview with Jakob Kudsk Steensen on ‘Berl-Berl’ at Halle am Berghain

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“The physical and the psychic are mirror reflections of each other” – Daniel Pinchbeck Talks to Darkside’s Nicolas Jaar and Dave Harrington

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First Things First: Erika de Casier

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“Free music for free people”: the early Polish rave scene adapted into a play

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Stream: Cinthie honours Frankie Knuckles’ legacy with a fundraising DJ set

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E-MERGING: Maison Taskin is the fashion brand blurring the lines between offline and online

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Roller Skating, Civil Rights, and the Wheels Behind Dance Music

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Enter Mordorkore: Berlin’s debut hardcore fantasy rave

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12 albums that gave us goosebumps in 2021

WIXAPOLONIA and Poland’s Hardcore Rave for Human Rights

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Music in the Age of Interconnected Production

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AVA proves Northern Ireland’s scene is thriving, despite political failings

Spotlight: FWD Transmissions

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This surreal Keinemusik video takes the “earworm” to a new level

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Dancing in the metaverse: a conversation with Burning Man

Dance Your Ailments Away With SHE Spells Doom’s “Drums of Affliction”

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Soon on a dance floor near you: London Fashion Week’s best looks

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E-MERGING: SF1OG is the Berlin label connecting past, present and future

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Year in Review: Musicians Return to Their Visual Art Praxis in 2020

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When Life is poured into Music

Sonic Healing: Exploring the Restorative and Spiritual Qualities of Music

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Big Room House

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The Dancefloor as the New Religious Congregation

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The Bug and Dis Fig on Mutant Dub, Soundsystem Culture, and ‘In Blue’

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The best ravewear off the runways of Paris Fashion Week SS22

Reference Festival Sets the Bar for the Browser-Based Cultural Fest

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We Need to Address Anti-Asian Racism In the Music Industry

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Franka Marlene Foth and Electronic Beats push the limits of immersive choreography

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Year in Review: How Will Dance Music Survive in 2021?

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Plunging into Cyberpunk 2077’s Open World Dystopia

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Michail Stangl’s 1015 BPM Pool Party

The Evolution of Music in Video Games

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‘Growth and destruction:’ Âme on AI, Innervisions, and entering the NFT space

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Year in Review: Breaking down electronic music’s iron curtain

Life Forces: Kelly Lee Owens Is No Stranger to the Tarot

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Meet River Moon, South Africa’s Loveable Agent of Chaos

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‘Unmute Us’: 70,000 Marched for the Return of Nightlife and Festivals in Holland

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The Birth of Dubstep Captured in New Photobook ‘Drumz of the South’

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Mike Paradinas on Planet Mu’s Past, Present, and Future

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A Beginner’s Guide To The Decentralized Internet

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A Disastrous Rave in a Refugee Squat Sends Shockwaves Through Paris

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Digital Disconnect: Exploring the Influence of Social Media on Electronic Music in the Past Decade

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Continental Drift: The Top 25 Club Tracks of 2020

The Idea of Musicality in Modern Dance Music

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10 innovators shaping the future of our culture

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E-merging: The Fairest is the new platform making art accessible

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A matter of space: how nightlife communities fight gatekeeping

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Year in review: Has 2021 delivered on its promises?

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Björk on ‘Biophilia’ and Making Music Interactive

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Leonce’s “Multiplexing” is the Big Room Techno Track to Build Anticipation

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A Club Is not Enough

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First Things First: Asquith

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Soundtracking Social Movements in the New Millennium

E-MERGING: Meet the OROKO radio community a different way

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Okkyung Lee’s Winter Solstice Mix Is a Funeral Song to 2020

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E-MERGING: Clara Colette Miramon makes your wildest Y2K dreams come true

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Human Evolution with Superconscious and Giusy Amoroso

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E-MERGING: Temporary Pleasure builds ephemeral club spaces around the world

Electronic Beats and MISBHV gaze into The Unknown

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Perko B2Beats P Relief: Ringing in the New Year

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Follow @electronicbeats

Published October 01, 2021. Words by EB Team.