Telekom Electronic Beats

Dive into The Cube, Our New Immersive Digital Storytelling Experience

Behind the codes of TEB's user-led, immersive digital exhibition

Telekom Electronic Beats invites you to dive into The Cube, its brand new 360°  digital experience exploring the facets of our culture over the past two decades, and looking at the unique stories that shaped them. 

Amid last year’s inevitable further move into cyberspace, people have, perhaps more than ever, morphed into capital for major web platforms. For the architects of this pandemic-boosted digitization, the asset of a weighty online presence doubled in value. This cultural shift was accompanied by a greater openness to rethinking the web as an experiential, and ultimately human space. But the domineering advent of performance-driven algorithms is at odds with the explosive surge of creativity manifested by a proliferation of new, mixed reality and AI-powered digital formats.

For its 20th anniversary, determined to straddle the line between community-building and creative experimentation, Telekom Electronic Beats has joined forces with Hamburg-based design studio WAF GMBH and content agency Looping Group to generate an interactive, user-led visual exploration of the international music marketing program’s twenty year-long history of in-depth music journalism, successful podcasts and video-driven social media series in both English and German. 

The Cube stemmed from a desire to revamp the old-school, linear digital archive into a living, interactive, democratic space. One which can be inhabitable, in non-extractive ways. 

Incorporating the brand’s rich history of documenting and empowering Europe’s modular and effervescent subcultures, this immersive experiment—built using softwares previously reserved to gaming—launches today and enables users to dive into all facets of the media platform’s archival treasures. 

Following the release of Telekom Electronic Beats‘ self-titled 20th anniversary book earlier this year, The Cube consists of a 360° video collage covering the most memorable cornerstones of the last two decades, combined with a series of six films showcasing and celebrating the platform’s legacy in the fields of music, innovation, fashion, culture, and community. By accessing it, each user gets to intuitively create a bespoke jigsaw of designs, photo exhibitions, video installations, films and interviews, all free from the ever-present shackles of web optimization, advertising pressure and shareability.

“We hope it’s a way to get closer to topics that are often physical and haptic in nature—club culture, fashion, music production—make them literally touchable,” says the team. “The goal is to create an experience that revolves around users.”

While the internet is a space we spend large chunks of our existence in, it’s rarely appraised as such by the discourse that surrounds it: when thinking of the purpose, impact and community-building powers of web design, most attention tends to revolve around its looks and feel rather than the depth, spatial freedom, and autonomy it can grant its temporary dweller.

If the virtual world is neither a substitute nor a compromise for the physical one, it can act as a complementary and adaptable layer concerned with the same questions, like aiding social cohesion, facilitating exchange, and communal existence. The concept of The Cube seeks to honor this dimension by lowering the barriers of entry into a variety of cultural movements,  enabling brand new interactions.

“Ultimately, if The Cube makes even one isolated teenager come into contact with post-gender fashion, or read up on the profound influence of Jamaican dub technology on Berlin techno—then Telekom Electronic Beats has done its job telling these stories, and we have done our job finding an adequate form for it,” concludes the team on the project led to completion with the involvement of industry heavyweights including Balenciaga, Saint Laurent, GmbH, Trashymuse, Tomorrowland, Dixon, and Sherelle.

With club culture organically dovetailing into the digital realm, the design studio’s collaboration with Telekom Electronic Beats acts as a testament to the web’s reflective and still under-explored potential.

Enter The Cube.
Watch our 6 short films celebrating TEB’s 20th anniversary :

This element will show content from various video platforms.
If you load this Content, you accept cookies from external Media.

Load content

Follow @electronicbeats

 y

Class of 2021: the artists who brightened up the year

 y

Bastion of hope – A techno temple for the lost future

Stream: Cinthie honours Frankie Knuckles’ legacy with a fundraising DJ set

 y

E-MERGING: ‘A Song For You’ makes you feel a kaleidoscope of emotions

 y

I$A B2Beats AGYENA: On the Pulse

A matter of space: how nightlife communities fight gatekeeping

 y

Art at the intersection: An interview with Jakob Kudsk Steensen on ‘Berl-Berl’ at Halle am Berghain

 y

E-MERGING: Kyra Sophie wants to make the fashion world a less scary place

On Vatican Shadow and the Far-Right

 y

First Things First: Asquith

 y

E-merging: The Fairest is the new platform making art accessible

Digital Disconnect: Exploring the Influence of Social Media on Electronic Music in the Past Decade

 y

E-MERGING: These designers make knitwear with a contemporary twist

 y

Perko B2Beats P Relief: Ringing in the New Year

E-MERGING: Otherworldly cakes meets chaos glam nails

 y

E-MERGING: Get to know Michele Rizzo and his hypnotic performance art

 y

Queer power and joy

Have party collectives become more influential than clubs?

 y

How Project Futureproof Empowers a New Generation to Follow Their Passions

 y

E-MERGING: TOURIST is the new platform connecting the dots

The Transcript: Billie Eilish in conversation

 y

‘Growth and destruction:’ Âme on AI, Innervisions, and entering the NFT space

 y

More than just merch: how fashion became electronic music’s dynamic new frontier

Altered Egos

 y

E-MERGING: Temporary Pleasure builds ephemeral club spaces around the world

 y

Altered Egos

E-MERGING: BERHASM is the Georgian fashion brand fighting for freedom

 y

Enter Mordorkore: Berlin’s debut hardcore fantasy rave

 y

The triumphant of return: how Sugababes reclaim their legacy

E-MERGING: JADA never lets you know her next move

 y

Big Room House

 y

AVA proves Northern Ireland’s scene is thriving, despite political failings

A Disastrous Rave in a Refugee Squat Sends Shockwaves Through Paris

 y

Slivers of the Future

 y

E-MERGING: Damsel Elysium is the artist searching for deeper connection

Year in Review: Breaking down electronic music’s iron curtain

 y

E-merging: IDEN is the fashion brand serving dystopian dreams

 y

E-MERGING: Illya Goldman Gubin’s art is a nostalgic snapshot in time

Dancing in the metaverse: a conversation with Burning Man

 y

The Bug and Dis Fig on Mutant Dub, Soundsystem Culture, and ‘In Blue’

 y

Roller Skating, Civil Rights, and the Wheels Behind Dance Music

Unity in the community: the best online radios of 2021

 y

Björk on ‘Biophilia’ and Making Music Interactive

 y

Christopher Bauder Talks Us Through the Rave Experiences That Influenced the New ‘DARK MATTER’ Exhibition

The Idea of Musicality in Modern Dance Music

 y

Spotlight: FWD Transmissions

 y

The best ravewear off the runways of Paris Fashion Week SS22

The Birth of Dubstep Captured in New Photobook ‘Drumz of the South’

 y

First Things First: Erika de Casier

 y

Soundtracking Social Movements in the New Millennium

Exploring 20 Culture-Defining Moments of the Last Two Decades

The Week Cover Artwork y

Listen to Episode 01 of The Week, our new podcast

 y

E-MERGING: Leo Costelloe’s art is a shiny love letter to loneliness

How Authentic Is Pop-Feminism?

 y

Soon on a dance floor near you: London Fashion Week’s best looks

The Mother.loading collective in a group picture on a gradient background y

E-MERGING: MOTHER.loading doesn’t want to recreate, but create the moment

032c comments on The Cube by Telekom Electronicbeats

Electronic Beats’ immersive project The Cube featured in 032c

 y

Year in Review: What It Feels Like to Die

 y

A Beginner’s Guide To The Decentralized Internet

The Dancefloor as the New Religious Congregation

 y

E-Merging: Standard Deviation makes Ukrainian voices heard

 y

The renaissance of dance and hope

Reference Festival Sets the Bar for the Browser-Based Cultural Fest

 y

Watch 19 Hours of Exclusive Live and B2B Sets From Halle Am Berghain

 y

E-MERGING: Maison Taskin is the fashion brand blurring the lines between offline and online

E-MERGING: Clara Colette Miramon makes your wildest Y2K dreams come true

 y

E-MERGING: Meet the OROKO radio community a different way

 y

Sonic Healing: Exploring the Restorative and Spiritual Qualities of Music

We Need to Address Anti-Asian Racism In the Music Industry

 y

When Life is poured into Music

 y

Badman Forward: Dubstep’s History and Legacy

12 albums that gave us goosebumps in 2021

 y

Meet River Moon, South Africa’s Loveable Agent of Chaos

 y

“The physical and the psychic are mirror reflections of each other” – Daniel Pinchbeck Talks to Darkside’s Nicolas Jaar and Dave Harrington

Tommy Cash is always in his rave era

 y

Franka Marlene Foth and Electronic Beats push the limits of immersive choreography

METAMORPHOSIS by TRASHYMUSE × Telekom Electronic Beats y

Our first NFT by TRASHYMUSE just dropped

“Free music for free people”: the early Polish rave scene adapted into a play

 y

‘Unmute Us’: 70,000 Marched for the Return of Nightlife and Festivals in Holland

 y

Human Evolution with Superconscious and Giusy Amoroso

Music in the Age of Interconnected Production

 y

Year in review: Has 2021 delivered on its promises?

 y

How ‘Echoic Choir’ brought the club back to CTM Festival

Leonce’s “Multiplexing” is the Big Room Techno Track to Build Anticipation

 y

E-MERGING: SF1OG is the Berlin label connecting past, present and future

 y

The Top 7 Mixes of 2020

Boy Harsher directed the sultriest horror film of pandemic times

 y

Playlist : ‘Selects’, a round-up of the best new tracks by EB

 y

Arca Due to Perform at Halle Am Berghain This September

A Club Is not Enough

 y

This surreal Keinemusik video takes the “earworm” to a new level

 y

20 Years of Electronic Beats

Tributes to Lee “Scratch” Perry, “Salvador Dalí of music”

 y

10 records to tale La Ruta, the Spanish highway that rivalled Ibiza’s club scene

 y

EB Picks: A roundup of our September favourites

Folamour in his iconic Bucket Hat

The Journey: Folamour talks pandemic, social media and bucket hats

 y

Electronic Beats and MISBHV gaze into The Unknown

 y

10 innovators shaping the future of our culture

The Evolution of Music in Video Games

 y

Transgender and Non-Binary Artists You Should Be Listening To

Published July 29, 2021.