All Posts for michael-lutz
Badman Forward: Dubstep’s History and Legacy
Björk on ‘Biophilia’ and Making Music Interactive
Roller Skating, Civil Rights, and the Wheels Behind Dance Music
Music in the Age of Interconnected Production
Reference Festival Sets the Bar for the Browser-Based Cultural Fest
The Evolution of Music in Video Games
Meet River Moon, South Africa’s Loveable Agent of Chaos
I$A B2Beats AGYENA: On the Pulse
Leonce’s “Multiplexing” is the Big Room Techno Track to Build Anticipation
The Dancefloor as the New Religious Congregation
Digital Disconnect: Exploring the Influence of Social Media on Electronic Music in the Past Decade
Perko B2Beats P Relief: Ringing in the New Year
Year in Review: What It Feels Like to Die
The Top 7 Mixes of 2020
Year in Review: Trekking Through the Uncanny Valley of DJ Live Streams
Michail Stangl’s 1015 BPM Pool Party
Plunging into Cyberpunk 2077’s Open World Dystopia
Year in Review: The Rave Anthems That Defined the Women’s Strike in Poland
Year in Review: How Will Dance Music Survive in 2021?
WIXAPOLONIA and Poland’s Hardcore Rave for Human Rights
Okkyung Lee’s Winter Solstice Mix Is a Funeral Song to 2020
Continental Drift: The Top 25 Club Tracks of 2020
The Top 20 Records of 2020
Year in Review: Musicians Return to Their Visual Art Praxis in 2020
Celebrate 20 Years with EB and Pre-order Our Forthcoming Book
The Electronic Beats Highlight Reel of 2020
Read the Transcript of the Electronic Beats Podcast With Johanna Jaskowska
Life Forces: Kelly Lee Owens Is No Stranger to the Tarot
The Electronic Beats 2020 Holiday Gift Guide
Dance Your Ailments Away With SHE Spells Doom’s “Drums of Affliction”
Mike Paradinas on Planet Mu’s Past, Present, and Future
The Top 7 Mixes of November 2020
The Remix Album Defined 2020 — And Gave Dance Music a Social Bubble
GucciFest Illuminated Fashion’s Intersectionality
Tomorrow You Start Again: Octo Octa and Eris Drew Confront Ephemerality
Benji B on the Telekom Electronic Beats Podcast
House of St. Laurent on Queer, Black Athleticism in the German Ballroom Community
Rooted in Rhythm: A History of Percussive Techno Through 10 Essential Records
Life Forces: We Read Call Super’s Tarot to Unlock the Key to His Creative Process
Benji B on Deviation’s Early Days and the Overlap Between Club Culture and the Fashion World
E-Saggila Expands Her Industrial Universe
Swan Meat B2Beats DJH: Melodies for Fallen Angels
Ash Lauryn’s Pivotal Rave Moment in the Black Mecca of America
Jam City Escapes Into a Psychedelic Fantasy
TYGAPAW Digs Deeper into Techno’s Black Origins
Constantine Skourlis Scores the End of the World
Akua’s New Acid-Tinged Techno Track “Find Another Connection” Breaks Free From Societal Expectations
Oneohtrix Point Never’s Past and Future
Continental Drift: 20 Club Tracks Guiding Us Into a New Era
Kamixlo Goes Full Slasher Mode on This Halloween Mix
The Top 7 Mixes of October 2020
Inside Copenhagen’s Sex Positive Rave Scene
Loraine James B2Beats TSVI: Modern Sounds of Homebound London
Actress Lets Light Through the Cracks
New Documentary “Underplayed” Offers an Intersectional Angle To Sexism in the Dance Music Industry
Hyph11E Finds Her Voice Within the Void
Crystallmess’ “Last Train to Chaos + Girl With The Eagle Eye” Considers a World in Deep Malfunction
Iconic Track “A Pure Person” From Cult Film Millennium Mambo Is Reinterpreted for Our Melancholic Times
Rekids Affiliate Raven On Embracing Human Imperfection
Eartheater Sets Herself Ablaze
Berlin’s Cultural Frontline Workers Forced to Choose Between Infection or Eviction
GmbH’s Politically-Infused Garments are Woven with the Threads of Community
Jamira Estrada B2Beats Dominik André: Murky Rhythms Collide
The Otherworldly Perfectionist Zora Jones
The Top 7 Mixes of September 2020
Mafou Imbues Senegalese Rhythms with Vigorous Electronics for “Evom”
All in the Family: Patta’s Diverse Cast of Collaborators Bridge Streetwear and Underground Music Cultures
Inside Slam Jam’s Panoramic Approach to Music, Art, and Streetwear
Losing My Religion
10 Animated Tracks Redefining UK Garage in 2020
With ‘7G’ and ‘Apple’ PC Music’s A. G. Cook Makes His Blow-Out Double Debut
The “Studio Berlin” Exhibition by Berghain and Boros Captures a City in Flux
Poland’s Experimental Club Scene Is a Refuge for LGBTQ+ People
The Summer of Synth Pop: Producers Go Analog in Brief Farewell To the Dance Floor
Overthinker Mob Dusts Off Club Gems Hidden on Producers’ Hard Drives
Houndstooth’s ‘Alterity’ Compilation Interconnects the Fringes Of The Club Scene
‘Club Future Nostalgia’ Is Dua Lipa’s Wildest Flirtation With the Underground
Continental Drift: 20 Club Tracks to Strengthen Our Virtual Community
Kombé’s “Subsumption Rhythm” Is a Club Track for a Rave in Outerspace
The Top 7 Mixes of August 2020
COUCOU CHLOE’s Club Music Swerves Into the Bizarre Unknown
Jennifer Cardini on Spotify’s New DJ-curated Playlist Series, track IDs
Gafacci B2Beats Rvdical The Kid: Sounds of the Swelter
The Brazilian State vs. Baile Funk: The Blame Game of the Pandemic
A Conversation With Filmmaker Vincent Haycock
For Her Telekom Campaign, Billie Eilish Champions 6 Gen Z Collective Members Storming the Global Stage
How Freak City’s Counterfeit Aesthetics Took Over Pop Culture
The Capital of ‘Not Giving a FXXX’
The Troll Who Crashed the Zoom Party: How Cyberbullying Spiked During Times of Corona
Social Media, Dance Music, and the Spirit of Modern Youth Activism
Polish Up-and-Comer DJ Leo S Stage-Dives Into Diverse Sounds
Learn How to Turn an Old Pair of Jeans Into a Fresh Club-Ready Look
Reporting Live From Berlin’s Exploding Open-Air Scene
Why Carl Craig at Dia:Beacon is a Groundbreaking Moment for American Art Institutions
Mukuna Celebrates Dance Music’s Rituals In Ceremonial Club Track “Lumuenu”
Hajra Waheed’s Sound Installation Amplifies the Hums of Unheard Voices
Piezo’s Lush Electronics Coalesce on ‘Perdu’
The Rise of Heavy Metal In Electronic Music
The Top 7 Mixes of July 2020
FAUZIA’s “Change 4 Me” Draws Strength from the Black History of House Music
